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#Reamp studios how to
#Reamp studios pro
#Reamp studios software

There are two great options for addressing the relative phase of these two signals (options that put a polarity switch to shame): In applications where the originally recorded signal and the re-amped signal will be used in the mix together, their relative phase is an important tone-shaping factor. If your goal is to use the amps and pedals as signal processors, the adapter ought to facilitate that work, not pile on its own distortion. However, the passive DI fails to simply supply a properly adapted signal. That’s not to say you can’t get the signal flow happening with a passive DI and an adequate amount of attenuation. The biggest factor in managing the gain staging of your re-amping signal chain is your choice of adapter. Gain StagingĪs pictured above, the re-amp process requires us to adapt the balanced, relatively low impedance output from our DAW to the unbalanced, high impedance input of the amp or pedal(s) in question.

#Reamp studios how to

Here are some ideas about how to get the most out of the re-amping process. In any case, if the goal of the process is amp-related, you can be sure it is also more or less distortion-related. Other popular uses include adding some grit to a direct bass track, rescuing underwhelming keyboard sounds, or using your favorite stomp boxes as outboard processing. During mixing the direct guitar track (sans faux amp) will be re-recorded through an actual amp.

#Reamp studios software

An electric guitar can be recorded direct while monitoring a software amp simulator.

Instrument amplifiers and stomp boxes offer virtually limitless opportunities to create the right sound with a not-so-virtual interface.

Direct recording is an ideal way to reserve tonal flexibility for mixing (especially useful in the DIY world).

The technique’s obvious advantages are numerous: We also offer special rates to engineers and producers who are looking to rent out the studio for their projects.Re-amping is a technique that gained a lot of popularity in the last 15 years. Not only have we upgraded the gear in order to better service our artists, we have also lowered hourly rates, making it even easier to get in the studio, be productive, and get the product you've been looking for. With this combination of new digital and analog recording gear, along with our great microphone collection, amazing sounding rooms, and the people with right the knowledge, the possibilities are endless! We've also added 12 new BAE 1073 Mic Pre's in addition to our API 3124 4 channel Preamp, and Seventh Circle Audio Preamp collection giving us a variety of different tools to work with.

#Reamp studios pro

These amazing interfaces give us the ability to work entirely "in the box", allowing us to work fast and efficiently, while still maintaining the ability to reach out and touch the pro tools faders like a real console! Don't worry though, we didn't go fully digital. We loved our analog AMEK APC1000 console but decided that in order to stay with the times, we needed to make some upgrades to provide a better service for our Artists! We have replaced our old console with not one, but TWO Slate Digital Raven MTI Digital Recording Consoles. Well its a New Year, and definitely a "New Us"!!!! We are happy to announce that ReAmp Studios has taken the jump into the 21st century.